My Wanderings Past New York’s Public Art

We all know that New York’s major museums and private galleries make the city one of the great artistic centers of the world. For the most part, though, I deliberately did not spend my time at those venues during this disjointed sojourn in New York. Instead, I wandered the streets, noting public art that was whimsical and affecting. Here are some of the artworks I saw:

A snail on the meridian at West 96th street and Broadway

A snail on the meridian at West 96th street and Broadway. (Note the naked lady sitting inside the snail’s shell.)

Statue of Ralph Kramden, bus driver, from the tv show, The Honeymooners, stands outside the Port Authority Bus Station.

A statue of Ralph Kramden, bus driver, from the tv show, The Honeymooners, stands outside the Port Authority Bus Station.

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Light moving through colored glass circles embedded in metal, on a square in the Battery area.

A mousey, on meridian near Broadway and West 81st street.

A mousey, on the meridian near Broadway and West 81st street.

New York's Korean War Veteran's memorial, in the Battery area. (Presenting the soldier as a missing space is quite affecting, as is the view of nature through him.)

New York’s Korean War Veteran’s memorial, in the Battery area. (Presenting the soldier as a missing space is quite affecting, as is the view through him of tree and sky; some sad sense of the eternal there.)

It is a better known piece of public art at this point, but who could resist displaying this little bundle of defiance of the the Wall Street Bull!

It is a well-known piece of public art at this point, but who could resist displaying this little bundle of defiance standing against the Wall Street Bull!

And somewhere on Eighth Avenue, I think--I have no idea what it is, but it is interesting, no?

And somewhere on Eighth Avenue, I think–I have no idea what it is, but it is interesting, no? Like some creature curled up into a tight hug.

There was also an interesting exhibit of work by Bernie Leahy in a one-room gallery at the Irish Arts Center, what the artist calls “stitched drawings.”  Even when quite close to the work, one must strain to see that they are stitched with thread or yarn and not drawn with pen, pencil or painted.  Here are a couple of examples:

20181022_140249_Film3 20181022_140230_Film3 And also, just for fun–from the same Bernie Leahy exhibit, lips stitched in…

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They have an anthropomorphized look, don’t they? It’s as if the fastened buttons are of a blouse fastening just below the neck. And lips being inserted, one wants to supply eyes; and the eyes being missing makes it feel like the gloves are blind or blindfolded. Am I deceived, or does there appear to be a chin below the lips?

New York Sojourn, Continued…

The original plan was to spend 28 days in New York City and write about it day by day. The impossible situation at my first place of stay (see last post) made that impossible.  Between the mouse in the kitchen repeatedly darting from under the refrigerator to under the stove, the little dog piddling on my floor, the front door to the apartment being unlocked 24/7, the mother–though friendly enough–making eternal excuses for everything–and finally, an argument in the hall of the apartment outside my room that made me concerned that her son and his friend were using hard drugs, I had to leave. A friend had me stay with her for two days while we tried to find a new place for me to rent, but we failed. I went home feeling a bit defeated.  BUT–another friend came up with some new possible places to live. So, after a week at home, I went back for another two weeks, salvaging much of the month, but also squeezing a month’s worth of activity into two weeks. I accomplished a lot.

(Of course, there was the day I came home to the new place on a Friday afternoon–a very lovely studio apartment with an eviction notice taped to the door that ostensibly gave one three days to vacate. That would have meant Monday. You’ve got to be kidding me!–my first, exasperated reaction. After only one week back in NYC, I might have to leave yet again? It did get resolved. First, there were thirty days for the notice to be questioned or appealed. I would be gone by then. And, ultimately, it turned out that the rent had been paid but had probably crossed in the mail with the notice. Still, it did not help make for a relaxed, un-stressful month.)

Nevertheless, those two weeks were filled with auditing of workshops (both playwrights and actors), attending several staged play readings, visits to a Chagall exhibit at the Jewish Museum, a visit to the Irish Arts Center, and to the Drama Bookshop, as well as time spent with artist and writer friends, and with relatives.  And then, of course, the bomb threats to CNN and Robert De Niro, and the rest occurred while I was in New York, as well as the terrible event at the Pittsburgh synagogue.

Next:  elaboration on the best of my New York adventures…

 

DAY FOUR-NEW YORK DIARY (October 4th)

On Day Three, there had been some strange goings-on in the apartment where I was staying.  A rug in the bathroom, which I was sharing with the son of the house and a friend who was living there with them, was utterly soaked.  Then I noticed a plunger lying on the floor.  So, concerned about sanitation, I went to ask whether the son whether the toilet had overflowed.  His friend responded like he was puzzled.  But the son barked “NO!” And did so too quickly.

In the evening, the mother decided to close the windows in her bedroom and turn on the air-conditioning because it was hot and humid.  I asked if they we could do the in my room too.  She had her son close the window in both rooms.  When I went into my room later, he had closed the window and turned on the air conditioning for me.  But, there was a mysterious puddle on the floor, as there had been on my first day there, but at a different spot.  It is possible–most likely probable–that their small dog had followed him into the room and had an accident.  But for a moment, I had an uneasy slightly paranoid feeling that the son might have done something to get even with me for asking about the toilet.  Itchy, I know.  But it passed through my mind.  Whatever the source of the mysterious puddles, I spent a portion of Day Four shopping for slippers so I would not have to walk barefoot on the floors.

But, along the way, I saw the wonderful Jerome Robbins exhibit at the New York public library of the performing arts located at Lincoln Center. His choreography–his form of dance–is so free, and such a mix of ballet with modern, and so much building an American identity for dance.  The exhibit contains an essay he wrote in high school about his own many “masks,” film footage with accompanying music of a number of his ballets, including Fancy Free, as well as the beginning piece of West Side Story, and one wall explains how he and others went about transferring West Side Story from stage to screen, including the search for locations that would give the sense of freedom while providing a necessary frame so the dances were not lost in the breadth of the scenes.

In late afternoon, I got a call from a cousin with an impromptu invitation to a play that night:  The Lifespan of a Fact, a 3-person play starring Daniel Radcliffe, Cherry Jones, and Bobby Cannavale.  It’s theme: “truth” vs. “fact.”  Philosophical.  Cerebral.  But, in today’s atmosphere of “alternate facts” and lies, it takes on a political relevance as well.

 

Day Three-New York Diary

GRACE IN A MOMENT

The trains are louder than I remember.
Deafening.
Cover your ears.
The stations are dirty.  I had forgotten.
And they smell of pee–so I am told, having
no sense of smell myself.

And then.  On the train.
A sudden burst of music
Unexpected.
Latin.
Not deafening but just right.
And I remember
My love for this place.

MADISON HOUSE

It’s gone. It was merged with Hamilton House in 1953 and moved to a new location, the old buildings of both settlement houses destroyed as part of urban renewal, their history now  forgotten. So when I went to the current location to see what I could find out about my father’s beloved Madison House, there was not much to be told.  Too long ago.  A history long-buried or entirely lost.

The little I know:  my father, born in 1913, 105 years old last month if he were still living, often talked of his youth at Madison House. I believe he learned about writing and painting and dance and theater there.  And I think there were dances and other social events at the various settlement houses, at one of which he met my mother.

The woman I spoke with at Hamilton-Madison House said that when founded, Madison House was for Jewish men and Hamilton House was for Irish and Italians–probably based on who was in their neighborhoods.  But my father never made it sound like Madison House was a settlement house exclusively for males. So, who knows?  She did say that Madison House had a camp–camp Madison, of which they were quite proud, and a camp song, which was silly, but of which they were quite proud. She also gave me information on an archive on settlement houses located in Minneapolis which might have records, although she felt they probably did not go back that far.  A starting place perhaps, for another time.

THE WORLD TRADE CENTER

I walked from the Bowery to the World Trade Center site. Trinity Church was quite affecting–it is located quite close to the site and had fed and let firemen, etc., sleep in its pews while they were working.

The pools or fountains, as I might call them, placed in the imprints of the buildings are very affecting:  very deep, very square fountains with very deep, smaller squares in the center of them, with low, flat tabled walls around the rims, containing the names of those who died.

What is not affecting, and even rather repulsed me was the Oculus. Purportedly meant to look like a white dove of peace–I guess one could argue that from the front it does in an abstract way–from the sides and back, it looks aggressive–like missiles, or like it wants to stab the sky with multiple pointed objects.  Inside, the ceiling’s architecture looks like a bleached white modern version of the arch of a Gothic church. But what is housed inside is a shopping mall.

I might find this architecture, inside and out, anywhere else, interesting and perhaps parts of it beautiful in its way. But, there is a tremendous disconnect between its intention to make it look like a dove and its construction  And making the inside a shopping mall reminiscent of a church, in this context, makes it an homage to capitalism.

DAY TWO–NEW YORK DIARY

Not happy to begin with.  I woke up with my eyes feeling scratchy and heavy-lidded despite the antibiotic ointment applied overnight.  And THEN–while I’m trying to eat breakfast–a dark flash darts from under the refrigerator to under the stove. And I am inwardly shaking.  I don’t know whether I can stay.  I’m exhausted to begin with.  I don’t know what to do with myself here.  I need my “home” to be a place I can return to for refuge, a place I can flop down and rest, not a place I must flee every day and stay away from as long as possible.  (Also, my designated room still has a closet full of stuff piled into it and no real room for even the few clothes I have brought with me.  I had to remove someone’s shirts hanging on a hook and pile them on two bags full of materials in order to have a place to hang my towels.  Also, someone in the house smokes somewhat.  I’m told there’s an air purifier in the room that I can use.  But it is half hidden under the bags of materials.)

What to do?

At first, I felt like just packing up and going home–my real home. Or, maybe stick it out for a week to see a few friends but not the originally planned month. A friend suggested I go up to Columbia and see if they have rooms of rent posted that I could move to.  I did, but it ultimately did not make much sense to spend days looking into something that might not be any better or even available.  Hotels at last minute could have bedbugs–one reason I wanted to rent in this fashion to begin with.  Just had not counted on mice and possible smoke.

And when I went to Starbucks to drown my sorrows and fears in a chai latte and lemon pound cake, I couldn’t even get a seat, had to carry it with me.

I used to say that, when traveling, I would rather have an interesting time than a good one.  So why am I feeling so bereft by this?  So much like surrendering and going home?  Perhaps because I just don’t have the energy for it right now? And because I CAN go home?  But it would be, in part, with a sense of defeat.  Neither I nor my mom can go home to her home again?

While up around Columbia, I walked north to 122nd street and Riverside Drive–Grant’s Tomb, surrounded by low barriers and signs saying “Government property, no trespassing.”  What’s the point? (I remember the old joke riddle:  Who”s buried in Grant’s Tomb?)

I also went into the Riverside church across the street and sat for a while inside with the cool and the quiet.  (It is a very warm beginning to October.)

It was too late in the day to do anything much, so I took the no. 1 to 42nd and Broadway, and walked through Bryant Park over to the Main public library, and renewed my out-of-state library card.  So if I decide to research Madison House there, I have a card allowing me to do so.

When I came home, I asked whether anything had happened about the mouse.  My landlady said she had not been able to get hold of the super–or else she said he would deal with it in the next couple of days?  Or both?  Why am I not clear on that?  But I guess I felt satisfied, in the moment at least, because I said that I would try to stay for a week, and then play it by ear about whether to stay the rest of the month, and asked if that was okay.  She said it was fine, whatever I do.

After that, we had a nice conversation for about an hour about my life and her life, and it was friendly and she said that she doesn’t watch her tv, but I could any time I like.  That her son could show me how to use it. (It’s a large tv–does not look too different from what they’re usually like, so I’m sure, with a remote or two, I could handle it.)  For the moment, I am listening to Rachel Maddow on my computer and can watch netflix on my computer too.  But I think she is easygoing, if perhaps a bit disorganized, and her offer made me feel I can use the living room, not just my room and the kitchen, so makes me feel freer, less confined. (As I told her, I didn’t know what my boundaries were, and had not wanted to overstep.)

So, that’s day two.  My goal:  get some good rest.  Start again tomorrow–go to Madison House.  And explain tomorrow night, why.

 

A Month in New York –Day One [New York Diary]

Today, not for the first time, I arrived in New York. What is different is that I am renting a room in the apartment of a friend of a friend for a month. My purpose is to: (a) more broadly explore New York’s Burroughs; (b) sketch New York life (drawings); (c) perhaps do some writing here; (d) see friends and relatives; and (d) explore New York writers’ communities.

My mother and father were raised in New York (mom in Brooklyn, Dad on Manhattan’s Lower East Side.)  Mom always wanted to come back to New York, so I feel like, in this month, I am both exploring New York for myself and returning for her–trying, amongst other things, to find traces of her New York, and my father’s New York as well.  We’ll see.

It is interesting to me that my mother used to talk of living in a furnished room–in her case, she was probably referring to the kind of room one would find in a boarding house.  But, in some sense, I too am renting a furnished room.  Doing so in someone’s apartment, even with kitchen and bathroom privileges, feels a little strange.  We’ll see how it goes…

Ursula Le Guin

Ursula Le Guin died this year.  And as is my wont, I discover that people are kindred souls when it is too late.

Without knowing that this brilliant person had died, I was reading Ursula Le Guin, Conversations on Writing, with David Naimon.  Here are a couple of lovely quotes from the book memorializing their conversations:

“The interviewers I fear the most are the ones who’ve read what the publisher’s PR people say about your book, along with some handy pull quotes.  They read one of these aloud  and say in a sincere voice, ‘Now, tell us more about what you said here.’… .”
Ursula Le Guin  October 6, 2017

From the section on Fiction:

“Children know perfectly well that unicorns aren’t real…but they also know that books about unicorns, if they are good books, are true books…people who deny the existence of dragons are often eaten by dragons.  From within.”

Naimon notes that Le Guin has “been a strong voice behind the idea that science fiction and fantasy are as much literature as realist or memetic fiction or memoir. and that, at one time, Le Guin had even said: ‘Fake realism is the escapism of our time.’